{"title":"Asian Art","description":"\u003cp\u003e\u003cspan\u003eThe artistic traditions of Asia encompass some of the most refined, spiritually profound, and technically accomplished works ever created, spanning thousands of years and a vast geographic expanse from the Himalayan kingdoms to the imperial courts of China, Japan, Southeast Asia, and the Indian subcontinent. Art For Eternity Gallery offers a carefully curated collection of authentic Asian antiquities, including Chinese bronze ritual vessels, jade carvings, Tang dynasty pottery, Song and Ming ceramics, terracotta tomb figures, and gilt bronze Buddhist sculpture, alongside Sino-Tibetan gilt bronzes, Nepalese devotional figures, Gandharan schist sculpture, Indian sandstone carvings, Khmer stone and bronze sculpture, Thai and Burmese Buddhist images, and Japanese metalwork and ceramics. Our collection spans the great religious and courtly traditions of Asia—Buddhism, Hinduism, Taoism, and Confucianism—expressed through sacred bronzes, devotional painting, temple sculpture, ritual jades, lacquerwork, ivory, and scholar's objects, each reflecting centuries of artistic refinement and deep philosophical meaning. From the powerful animal motifs of Shang and Zhou dynasty bronze vessels and the serene beauty of Tang dynasty Bodhisattvas to the jewel-encrusted crowned Buddhas of Tibet and Nepal and the elegant celadon and blue-and-white porcelains of imperial China, these works represent the pinnacle of human craftsmanship across a breathtaking diversity of cultures, periods, and media. Every piece in our collection has been thoroughly researched for provenance and authenticity, inviting collectors, scholars, and enthusiasts to explore the extraordinary artistic heritage of the Asian world.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"rare-thai-haripunjaya-stucco-head-of-buddha-ex-sothebys","title":"Rare Thai Haripunjaya Stucco Head of Buddha Ex Sothebys","description":"\u003cp\u003eThailand, Circa 13th century AD.\u003c\/p\u003e\n\u003cp\u003eA head of Buddha, the face with an expression of intense concentration, the brow furrowed, the eyes downcast, the fleshy lips are outlined, the hair arranged in large, bristling curls rising to form an usnisha.\u003c\/p\u003e\n\u003cp\u003eSize 7-3\/4 inches (19.5cm) Height + custom base.\u003c\/p\u003e\n\u003cp\u003eEx Collection J Welles Henderson, 1921-2007, acquired in 1977; ex Sotheby's Indian and S.E. Asian Works of Art, March 19, 2008, lot 257.\u003c\/p\u003e\n\u003cp\u003eGood excavated condition with losses. From an extremely early and not too often seen period of Thai art!\u003cbr\u003e\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":45351458865466,"sku":"13715","price":2600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/13715bl_3014f565-e9cb-464c-b931-b1286f56fd48.jpg?v=1695252530"},{"product_id":"indian-gold-pendant-for-the-god-hanuman","title":"Indian Gold Pendant for the Monkey God Hanuman","description":"\u003cp\u003e South India, Ca. 19th century AD\u003c\/p\u003e\n\u003cp\u003eA flattened arched shaped plaque in repoussé depicting the crowned monkey headed deity striding to the right and holding a ritual implement. Overall nice articulation and texture.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSize: 1-7\/8 inches H. x 1-1\/4 inches w. Intact and hanging on a circular metal wire with fastener. 20 to 22K; weight 5.9 grams. Acquired in Santa Fe NM 2000s\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":45572347920698,"sku":"14374","price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/14374bl.jpg?v=1694268719"},{"product_id":"south-indian-granite-stone-figure-of-parvati","title":"South Indian Granite Stone Figure of Parvati","description":"\u003cp\u003eChola Period, Circa 9th to 13th century AD\u003c\/p\u003e\n\u003cp\u003eA well carved hard stone depiction of the Hindu goddess of fertility, love and devotion; she stands with ample bosom, her weight on right hip in a graceful curve and holding a lotus blossom. She wears a dhoti, sashes, earrings, necklace and tall elaborate headdress, fine facial features. She is also symbolic for divine strength and power.\u003c\/p\u003e\n\u003cp\u003eSize: 45 1\/2 inches H. + custom mount.\u003c\/p\u003e\n\u003cp\u003eCondition: clean repair at ankles with minor mossy encrustation.\u003c\/p\u003e\n\u003cp\u003eEx Collection David Swope, Westchester NY 1970s-1990s\u003cbr data-mce-fragment=\"1\"\u003eMr. Swope was a serious collector of Indian antiquities and traveled extensively through India, living in Bombay (now Mumbai) in the 1960s. He befriended Kalesan Natesan and his family whilst he was in the Peace Corps. This friendship and mutual adoration for Indian Art was a catalyst for Mr. Swope’s collecting.\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":46505498640698,"sku":"13571","price":9500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/13571bl.jpg?v=1695767313"},{"product_id":"indian-silver-altar-piece-depicting-a-nursing-cow","title":"Indian Silver Altar Piece depicting a Nursing Cow","description":"\u003cp\u003eIndia, ca. 19th century AD\u003c\/p\u003e\n\u003cp\u003eCharming and precious depiction of a standing cow suckling its calf, on oval stepped base; the base with inscription and possible date.\u003cbr data-mce-fragment=\"1\"\u003eSize: 2-1\/2 inches (6.3 cm) H. \u003cbr data-mce-fragment=\"1\"\u003eEx: Rhode Island coll; ex Doris Wiener.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":46730197696826,"sku":"14535","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/14535bl_fa82eb47-b8d8-4200-ae6a-351b859c0db2.jpg?v=1695223028"},{"product_id":"thai-gilt-bronze-head-of-buddha","title":"Sukhothai Gilt Bronze Head of Buddha","description":"\u003cp\u003eA serene and beautifully cast Sukhothai-period bronze head of Buddha, Thailand, circa 14th–16th century AD. The face embodies the spiritual ideal of Thailand's \"Golden Age\": a symmetrical oval visage with heavily lidded, downcast meditative eyes, gracefully arched brows meeting in a continuous ridge above a thin aquiline nose, and fleshy, softly outlined lips set in the faint inward smile characteristic of the period. The cranium is covered in tightly coiled snail-shell hair curls rising toward the (now-lost) flame finial.\u003c\/p\u003e\n\u003cp\u003eThe bronze retains a rich, mottled reddish-brown excavated patina with remnants of black lacquer highlighting the hair, evidence of its original surface treatment and considerable age. A superb example from an early and comparatively rarely seen period of Thai Buddhist sculpture.\u003c\/p\u003e\n\u003cp\u003eDimensions: 8 in. (20.3 cm) H., plus presented on a custom display mount.\u003c\/p\u003e\n\u003cp\u003eCondition: Good excavated condition, with losses to the ears, finial, and some hair nodes at the sides — consistent with age and burial\u003c\/p\u003e\n\u003cp\u003eProvenance: The collection of Jane and Jack Weprin, New York City; acquired 1970s–1991, thence by descent to the family.\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":47261264970042,"sku":"15278","price":5500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/15278blu.jpg?v=1701312049"},{"product_id":"nepalese-terracotta-mask-of-bhairava","title":"Nepalese Terracotta Mask of Bhairava","description":"\u003cp\u003eNepal (Newar), Kathmandu Valley, 18th–19th century (earlier dating possible but not scientifically tested).\u003c\/p\u003e\n\u003cp\u003eA powerfully modeled terracotta mask of Bhairava, the fierce emanation of the Hindu god Shiva. The ferocious face bares its fangs within an open mouth, set below bulging eyes and flaming brows, all surmounted by a tiara of skulls; behind, the hair stands on end in rich curling locks framing the head like a flaming aureole. Traces of red and dark pigment remain across the modeled surface, and the reverse retains the rough, hollow-formed construction with suspension\/firing holes consistent with ritual use and genuine age. Such masks were created for Newar ritual and festival use in the Kathmandu Valley, where Bhairava is venerated as a fierce protector.\u003c\/p\u003e\n\u003cp\u003eDimensions: 9 in. (22.9 cm) high, plus plexiglass mount\u003c\/p\u003e\n\u003cp\u003eCondition: Well-preserved with surviving pigment; surface wear and deposits consistent with age and ritual use\u003c\/p\u003e\n\u003cp\u003eReference\u003cbr\u003eCf. P. Pal, Icons of Piety, Images of Whimsy: Asian Terra-Cottas from the Walter-Grounds Collection, Los Angeles County Museum of Art, 1987, no. 44.\u003c\/p\u003e\n\u003cp\u003eProvenance: Mary McFadden (1938–2024)  \"The Archaeologist of Seventh Avenue\"\u003cbr\u003eMary was one of the most distinctive and intellectually adventurous American fashion designers of the late twentieth century, celebrated for collections that drew directly on the art and dress of ancient and non-Western civilizations. Her signature finely pleated \"Marii\" silk gowns evoked the chitons of classical Greece and the pleated linens of pharaonic Egypt, while her use of color, ornament, and motif borrowed openly from Africa, Asia, pre-Columbian America, and the ancient Mediterranean. This deep engagement with the material culture of the past earned her the memorable nickname \"the Archaeologist of Seventh Avenue.\"\u003c\/p\u003e\n\u003cp\u003eA former editor at Vogue and a tireless world traveler, McFadden was as much a collector and connoisseur as a couturier. She assembled an eclectic personal collection of antiquities and ethnographic art gathered over decades of travel, which she frequently cited as the inspiration for her designs. Her work was widely exhibited and collected, and she was inducted into the Coty American Fashion Critics' Hall of Fame, cementing her reputation as a designer whose creativity was rooted in the study of the ancient world.\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":47527504576826,"sku":"15998","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/15998blue.jpg?v=1705426180"},{"product_id":"sino-tibetan-gilt-copper-repousse-head-of-a-lohan","title":"Tibetan Gilt Copper Lifesize Head of a Lohan","description":"\u003cp\u003eCirca 18th Century AD.\u003c\/p\u003e\n\u003cp\u003eThe voluminous head of a monk or Lohan realistically modelled with elongated eyes, aquiline nose, smiling lips, elongated earlobes and bald head, traces of cold gilding and with some polychrome details.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSize 9 1\/2 inches Height + custom mount. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEx Collection of Fashion Designer Mary McFadden, NY\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":47528065663290,"sku":"15994","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/15994blue.jpg?v=1705431433"},{"product_id":"chinese-iron-head-of-guanyin","title":"Chinese Iron head of Guanyin","description":"\u003cp\u003eYuan to Ming Dynasty, Circa 15th to 17th century AD\u003c\/p\u003e\n\u003cp\u003eLarge cast head displaying a serene facial expression with downcast eyes below arched eyebrows, prominent nose-bridge, smiling lips, elongated earlobes and her hair combed in a chignon set to the front with a small figure of Buddha Shakyamuni. Some remains of red cinnabar pigment to surface.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSize 14 inches H. 26 inches H. on custom wood mount. Intact with irregular break at bottom of neck\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEx Upper East Side brownstone on 83rd Street NY collection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ea\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":47537055990074,"sku":"16004","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/16004blu.jpg?v=1705582916"},{"product_id":"sino-tibetan-painted-thanka-of-a-high-priest","title":"Sino Tibetan Painted Thangka of the High Priest Tsongkhapa","description":"\u003cp\u003eCa. 19th Century AD.\u003c\/p\u003e\n\u003cp\u003eSize: 24-3\/4 inches Length x 15 inches wide image only\u003cbr data-mce-fragment=\"1\"\u003eProvenance: Ex Founder of The Philosophical Research Society Museum; Manly P. Hall.\u003cbr data-mce-fragment=\"1\"\u003eThis is a hand-painted Sino-Tibetan Thangka of Deified 14th Century Buddhist Philosopher Je Tsonghapa. This intimate painting, with an exquisitely subdued and harmonic color palette, is hand-painted on a soft, flexible cotton canvas and silk fabric backing in accordance with the cannon of 19th century Thangka painting, a Buddhist form of devotional iconography. Size: 24-3\/4 inches Length x 15 inches wide image only. Provenance: Ex Founder of The Philosophical Research Society Museum; Manly P. Hall. Although it appears decorative, the painting's intended purpose would have been to serve as a light and easily transportable meditation device for the owner. The painting's flexibility allowed its' original user to reflect upon the depicted archetypes at any time, and in so doing, delve into a pool of deeper psychological awareness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe central figure of the painting is deified 14th century Buddhist philosopher Je Tsonghapa, who was an admired leader and became canonized in writing and in visual form as shown in the painting, seated in a meditative pose, wearing a gold hood, with a green halo surrounding his head, and lotus blossoms surrounding the green halo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWho was Je Tsong hapa, and why was he beloved in his lifetime and canonized in his death? He was the leader of a subculture within Buddhism known as Kadampa, and he taught principles of moral discipline, compassion, and wisdom. He was also the founder of the Ganden Monastery, one of the -great three- university monasteries in Tibet, which was tragically destroyed in a rebellion in 1959 and has since been partially rebuilt.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInterestingly, the compositional structure of the painting's cannon places Je Tsonghapa, the sainted, meditative figure, upon the shoulders of a powerful, deep-blue, multi-armed, guardian figure who is engulfed in blinding orange fire, yet not devoured by the flames. He is likely Vajrapani, the Buddhist deity who represents power, fierceness, and wrath, channeled in service of noble ends.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis compositional structure conveys the tantric idea that harmony and wisdom rest upon a solid foundation of fierce, wrathful, awareness and discipline.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":47548757934394,"sku":"10764","price":2350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/10764ble.jpg?v=1705762411"},{"product_id":"sukhothai-glazed-ceramic-roof-tile-in-the-form-of-a-dragon","title":"Sukhothai Glazed Ceramic Roof Tile in the Form of a Naga Dragon","description":"\u003cp\u003eThailand, Circa 14th to 15th Century AD.\u003c\/p\u003e\n\u003cp\u003eThis is a Sukhothai-period architectural ornament known as a naga finial, which was used to decorate temple and shrine roofs in Thailand. Its key iconographic elements are an elongated serpent form body with an upward-curving profile, a stylized dragon-like head with prominent fangs and open mouth, decorative scaled patterns along the body.   The naga finial incorporates several layers of religious and cosmological symbolism:\u003cbr\u003eThe upward-curving form represents the cosmic river flowing from Mount Meru.  The serpentine shape symbolizes the rainbow bridge between earth and heaven.  The multiple decorative tiers reflect the levels of Buddhist cosmology.  The open mouth and fangs serve an apotropaic (protective) function as a temple guardian.  \u003cbr\u003e\u003cbr\u003eThese finials played specific roles in Thai temple architecture:\u003cbr\u003eThey were placed at the peaks and corners of temple roofs as nak sadung (roof finials).\u003cbr\u003eThe undulating form marked buildings of high status, especially royal and sacred structures.  They formed part of a larger symbolic system representing the flow of divine power from heaven to earth.  Multiple finials would be used on tiered roofs, with identical pieces at each level.  The naga finial thus represents a sophisticated fusion of Hindu-Buddhist cosmology with indigenous Southeast Asian serpent worship traditions, embodying both protective and transcendent spiritual qualities in Thai sacred architecture.\u003c\/p\u003e\n\u003cp\u003eThe piece demonstrates the sophisticated ceramic production techniques of the Sukhothai period, when Thailand's ceramic arts reached their golden age and were widely traded throughout Asia\u003cbr\u003e\u003cbr\u003eSize 16\"H x 9\"D x 4\"W \u003cbr\u003e\u003cbr\u003eProvenance:  NY collection Susan Gullia, a travel consultant and fundraiser who died in 2022 at the age of 89,  She created some of the very first educational, luxury tours specifically designed for art collectors and museum supporters. In 1964 Gullia developed the inaugural museum-sponsored “study tour” for the Brooklyn Museum, on which museum directors took donors to Egypt, giving them access to museums, temples and private collections not open to the public. It was a novel idea at the time, and a huge success. These trips, which served as fundraisers for the museum, would become Gullia’s hallmark. From the mid-60’s onward she specialized in creating innovative tours to what were then less traveled places, including India, Peru, Japan, Thailand, Cuba and China, for museums and cultural institutions all over the world. She also specialized in museum sponsored tours of major European and US cities. Gullia used her connections with art historians, curators and museum directors to build unique experiences, with experts serving as guides, sharing knowledge about art and architecture with donors and collectors.\u003cbr\u003e\u003cbr\u003eGullia was also a philanthropist and supported a huge array of organizations, including the New York Philharmonic, the Metropolitan Opera, and the New York City Ballet, as well as many humane organizations. She served as a docent at the Metropolitan Museum of Art. Ms. Gullia, also a dedicated conservationist, had no immediate family, and left her Amagansett home to the Peconic Land trust.\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":47753678684474,"sku":"16038","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/16038blu.jpg?v=1709312060"},{"product_id":"early-thai-utong-head-of-buddha","title":"Early Thai Utong Head of Buddha","description":"\u003cp\u003eThailand, Circa 14th century AD\u003c\/p\u003e\n\u003cp\u003e A finely modeled 3\/4 life-size stucco head, in U-Thong style, with remains of lacquer coating and a few spots of gilding. Back gone.  Nice archaeological surface patina. \u003c\/p\u003e\n\u003cp\u003eSize 10 inches H. + Custom wooden stand. Old tag underneath.\u003c\/p\u003e\n\u003cp\u003eCondition: Chips and losses as shown, otherwise good.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":48994846671162,"sku":"16188","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/16188blu.jpg?v=1719853349"},{"product_id":"gandharan-terracotta-male-head","title":"Gandharan Terracotta Male Head","description":"\u003cp\u003e Circa 4th to 5th Century AD\u003c\/p\u003e\n\u003cp\u003eA beautifully rendered  head; done with a sophisticated degree of naturalism; he has a drawn in cheeks, small jaw, prominent nose and bald pate with a furrowed brow and short cropped locks of hair atop the sides of  his bald pate.\u003c\/p\u003e\n\u003cp\u003eSize 9-1\/2 in. + 15 in on custom mount. \u003c\/p\u003e\n\u003cp\u003eRemains of red paint on lips. Compare A Catalog of Gandharan Sculpture in the British Museum for type. \u003c\/p\u003e\n\u003cp\u003eProvenance: Arnold Lieberman NY, 2000s.\u003c\/p\u003e\n\u003cp\u003eCompare with similar examples in Metropolitan Museum of Art, Samuel Eilenberg Collection.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":52097650524474,"sku":"17022","price":5500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17022blu.jpg?v=1762617535"},{"product_id":"thai-ayuthia-bronze-head-of-buddha-1","title":"Thai Ayuthia Bronze Head of Buddha","description":"\u003cp\u003eSouth East Asia, Thailand, Ca. 17th or 18th Century  AD.\u003c\/p\u003e\n\u003cp\u003eCast with a serene facial expression with almost closed heavily laden  inlaid eyes, arched brows, thin aquiline noses, and mouth with thin pursed lips, delicate pointed ears. Top and back of head missing but some gilding and loam core remain. \u003c\/p\u003e\n\u003cp\u003eGood old surface with oxidation\u003c\/p\u003e\n\u003cp\u003eSize 7-1-\/2 in H. + custom mount \u003c\/p\u003e\n\u003cp\u003eCompare the type of  head in Woodward, The Sacred Sculpture of Thailand.\u003c\/p\u003e\n\u003cp\u003eProvenance: Arnold Lieberman NY, 2000s.\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":52097688928570,"sku":"17021","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17021blu.jpg?v=1762617800"},{"product_id":"indian-wood-standing-protective-deity","title":"Indian Wood Standing Protective Deity","description":"\u003cp\u003e South India circa 20th century AD\u003c\/p\u003e\n\u003cp\u003eA large and impressive carving from a story telling scene; the figure in a dynamic posture with one arm raised and the opposite knee bent.  It my represent a regional, folk, or village protector deity, or even a heroic ancestor spirit rather than a mainstream pan-Indian god or goddess. The presence of the rat remains significant, likely indicating attributes of resourcefulness, cunning, or overcoming obstacles. \u003c\/p\u003e\n\u003cp\u003eSize 32 inches H\u003c\/p\u003e\n\u003cp\u003eMinute remains of polychrome paint and surface with age related stresses and wear. Multi repairs and restorations. Provenance: Ex David Eurlich collection New york.A lagre carving from a story telling scene; the figure in a dynamic posture with one arm raised and the opposite knee bent.  It my represent a regional, folk, or village protector deity, or even a heroic ancestor spirit rather than a mainstream pan-Indian god or goddess. The presence of the rat remains significant, likely indicating attributes of resourcefulness, cunning, or overcoming obstacles. \u003c\/p\u003e\n\u003cp\u003eSize 32 inches H\u003c\/p\u003e\n\u003cp\u003eMinute remains of polychrome paint and surface with age related stresses and wear. Multi repairs and restorations. Provenance: Ex David Eurlich collection New york.\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":52265437495610,"sku":"16920","price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/16920bl.jpg?v=1765293674"},{"product_id":"shunga-terracotta-relief-plaque-of-a-goddess","title":"Shunga Terracotta Relief Plaque of a Goddess","description":"\u003cp\u003eEastern India (Bengal), circa 2nd–1st century BCE. \u003cbr\u003eTerracotta votive plaque depicting a standing female fertility deity, identified as a yakshi \/ mother‑goddess type, related to the Panchachuda Lakshmi–Yakshi iconography. The plaque preserving a nearly full‑length standing female figure in tribhanga pose, head turned slightly to one side, adorned with tall tiered headdress with lateral extension, large circular earrings, multiple necklaces, bracelets, anklets, and girdle with pendant sashes; the thin clinging garment indicated by incised vertical folds. Borders and background plain; traces of red pigment in crevices and a stable earthen patina overall.  \u003c\/p\u003e\n\u003cp\u003eSize: 7 1\/2 in (19 cm) high x 3 1\/3 in (8.5 cm) wide (plaque only). + custom mount \u003c\/p\u003e\n\u003cp\u003eCp: Poster, Amy G. From Indian Earth: 4000 Years of Terracotta Art, The Brooklyn Museum, 1986, p.95.\u003c\/p\u003e\n\u003cp\u003eEx Scottsdale AZ Collection of RZ.  Choice and rare!\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53121393590586,"sku":"17375","price":1750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17375blu.jpg?v=1772732807"},{"product_id":"important-large-mohenjo-daro-bi-chrome-pottery-vessel","title":"Important Large Mohenjo Daro Bi-chrome Pottery Vessel","description":"\u003cp\u003eIndus Valley, Ca. Ca. 2600 to 2500 BC.\u003c\/p\u003e\n\u003cp\u003eImposing wheel‑made bowl with slightly everted rim and small rounded base, formed in a fine red terracotta fabric and decorated on the exterior in a dark brown to black mineral paint. The principal register carries a continuous frieze of highly stylized humped bulls striding to the right, their bodies rendered as elongated, banded rectangles with cross‑hatched midsections, terminating in short, tapering tails; heads with prominent circular eyes and sweeping lyre‑shaped horns emphasize the zebu morphology. The animals are separated by tall, vertically disposed vegetal motifs conventionally interpreted as trees or “trees of life,” composed of stacked, arching strokes flanked by smaller linear elements. Above and below the frieze run multiple encircling bands of straight and wavy lines, with additional short hook‑shaped and circular marks in the field that recall the sign‑like motifs characteristic of Mehrgarh and related early Indus painted wares.\u003c\/p\u003e\n\u003cp\u003eThe interior surface is plain save for concentric wheel marks, and the lip is left unpainted, lightly rounded, and thickened.\u003c\/p\u003e\n\u003cp\u003eSize: 10‑3\/4 in (27.3 cm) H; rim diameter 13‑3\/8 in (34 cm), placing this vessel among the largest known examples of the bichrome figural bowl tradition, which more commonly survives in substantially smaller formats.\u003c\/p\u003e\n\u003cp\u003eSurface with patches of calcareous accretion, minor pitting and encrustation, localized abrasion and small rim chips, and a few stable hairline fissures consistent with long burial and ancient use; area of restoration near rim.\u003c\/p\u003e\n\u003cp\u003eProvenance: Ex Daryl Kulok New York City Collector with an Israel Antiquities Authority Export Permit from 2013.  \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Indus Valley Civilization was one of the world's first great urban civilizations. It flourished in the vast river plains and adjacent regions in what are now Pakistan and western India. The earliest cities became integrated into an extensive urban culture around 4,600 years ago and continued to dominate the region for at least 700 years, from 2600 to 1900 BC. It was only in the 1920's that the buried cities and villages of the Indus valley were recognized by archaeologists as representing an undiscovered civilization. Large cities and smaller towns grew up along the major trade routes as administrative and ritual centers. During the full urban phase of this civilization, there is evidence for trade contact with the surrounding cultures in the Arabian Gulf, West and Central Asia and peninsular India. Urban Character of the Indus Valley Civilization Around 2600 BC the various regional cultures were united in what is called the Indus Valley Civilization. It is also commonly referred to as the Harappan culture after the town of Harappa where it was first discovered. This civilization was organized around cities and towns that were located at major crossroads and in rich agricultural regions. The ruling communities of these cities developed a distinctive form of writing. They appear to have controlled a vast geographical area, some 650, 000 square kilometers. This area is twice as large as that controlled by Mesopotamian or Egyptian cultures at this same time in history. Hundreds of Harappan settlements have been discovered, and archaeologists have been able to excavate different types of sites in each of the major regions.  \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53129269641530,"sku":"13809","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/13809blu.jpg?v=1772919796"},{"product_id":"sino-tibetan-gilt-bronze-vaishravana-kubera","title":"Sino Tibetan Gilt Bronze Vaishravana (Kubera)","description":"\u003cp\u003eQing to Republic-period production (circa 1880–1930)\u003c\/p\u003e\n\u003cp\u003eA mercury gilt-bronze figure of a wrathful guardian deity or a related armored dharmapāla, standing in alidha posture on prostrate figures and animals on a double-lotus base. The figure is heavily armored, with lamellar cuirass, boots, and fluttering scarves, and stands dynamically with one leg bent and the other extended, a classic martial guardian stance. The ferocious face, flaming red hair, and skull tiara place it among wrathful protectors in the Sino-Tibetan Buddhist tradition. The separate lower plinth with recumbent human and animal, plus the stepped lotus base and oval pedestal with incised crossed-vajra (visvavajra) underside, are all standard for Chinese-produced Tibetan-style bronzes of this type. \u003c\/p\u003e\n\u003cp\u003eThe piece appears to be cast in sections and fire-gilded, with the base plate secured by folded tabs and engraved with a visvavajra; the original consecration contents may be intact. Wear to the gilding on projecting areas, dark patina with greenish accretions in recesses, and losses\/corrosion to the flaming hair and facial area are visible, \u003c\/p\u003e\n\u003cp\u003eSize 5 inches (12.7cm) Height. Intact.\u003c\/p\u003e\n\u003cp\u003eProvenance: Private Rhinebeck Collection of a Real Estate Developer.\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53183105401146,"sku":"17435","price":895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17435bl.jpg?v=1773859916"},{"product_id":"sino-tibetan-gilt-bronze-shakyamuni-buddha","title":"Sino Tibetan Gilt‑bronze Shakyamuni Buddha","description":"\u003cp\u003eQing dynasty, Ca. 18th century AD.\u003c\/p\u003e\n\u003cp\u003eCast and gilt copper alloy with traces of cold pigment, the Buddha is depicted seated in vajrasana upon a high double‑lotus pedestal, the legs folded in full lotus with the soles turned upward and the monastic robe (sanghati) leaving the right shoulder bare, its cascading folds rendered in crisp relief across the torso and knees in a manner characteristic of Qing‑period Sino‑Tibetan ateliers. The right hand is extended over the knee in bhumisparsha mudra, “the earth‑touching gesture,” signifying the moment of enlightenment when Shakyamuni calls the earth to witness his victory over Mara, while the left rests palm‑up in dhyana mudra in the lap, reinforcing the iconography of meditative concentration. The head is surmounted by a domed ushnisha covered with tight, regularly arranged snail‑shell curls, originally highlighted with blue pigment, and a small knop finial; the long pendulous ears, gently downcast eyes, and slight smile conform to Himalayan Buddhist conventions disseminated through the Qing court’s patronage of Tibetan Buddhism.\u003c\/p\u003e\n\u003cp\u003eThe high, waisted double‑lotus base is meticulously chased with overlapping lotus petals, each defined by a raised beading and teardrop‑shaped interior, articulating the idealized “lotus throne” that elevates the Buddha above the mundane realm. The underside is neatly sealed with a copper‑alloy plate cast in low relief with a double vajra (vishvavajra), the crossed thunderbolt emblem signifying the immutable, indestructible nature of ultimate reality and, in the Tibetan context, often used on the bases of consecrated images associated with tantric practice. Such imagery reflects the close relationship between the Qing imperial court and Tibetan Buddhism, in which large numbers of gilt‑bronze images were commissioned both for imperial temples in Beijing and for distribution to Tibetan and Mongolian hierarchs, giving rise to a distinctive “Sino‑Tibetan” style that combines Chinese casting and gilding techniques with Tibetan iconography and ritual symbolism. Within this corpus, the present example belongs to a group of small devotional images intended for private altars or travel shrines, its compact scale, sealed and vajra‑marked base, and careful finishing suggesting it was once fully consecrated with sacred substances and used in personal practice rather than as a purely decorative object.\u003c\/p\u003e\n\u003cp\u003ewith engraved numbers 5510 7034 to bottom plaque, incised with double vajra\u003c\/p\u003e\n\u003cp\u003eSize: 6 3\/8 inches H. x 5 7\/8 wide\u003c\/p\u003e\n\u003cp\u003eProvenance:  Private American Collection. \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53211625062714,"sku":"17390","price":2000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17390bl.jpg?v=1774476994"},{"product_id":"konyak-naga-headhunters-basket","title":"Konyak Naga Headhunters Trophy Basket","description":"\u003cp\u003eearly to mid-1900's\u003c\/p\u003e\n\u003cp\u003eRectangular plaited rattan warrior’s basket, attributed to the Konyak Naga of Nagaland, India, richly adorned with trophy elements and protective charms. The body is woven in a tight, darkened lattice pattern, slightly tapering toward the base, with a thick braided rattan carrying strap rising from the rim. The upper register is faced with a panel of brown animal fur, onto which are mounted two curved horn trophies (likely from a small wild bovine or goat) framing a central small primate or similar mammal skull, with a second, smaller skull affixed to one side; all elements are secured with vegetal fiber lashings.\u003c\/p\u003e\n\u003cp\u003eAcross the front lower section runs a twisted cord or rope of plaited fibers functioning as both reinforcement and decorative band, while an elongated, dark, carved wooden pipe or tubular charm is tied vertically along one corner, projecting downward. The basket and attachments show an overall, evenly oxidized patina with areas of surface wear and minor losses consistent with age and use, particularly to the rattan and fur; the skulls exhibit natural weathering and dark encrustations in cavities. Assembled, the object exemplifies the ceremonial and martial regalia associated with Konyak head‑taking traditions, in which warrior baskets were elaborately embellished with animal trophies, skulls, and personal charms as markers of status and spiritual protection\u003c\/p\u003e\n\u003cp\u003eSize 9 1\/2\" (top) and 8\" (bottom) widths x 10\" height x 4\" depth \u003cbr\u003e \u003cbr\u003eProvenance  Collected in Nagaland in the early 1980's\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53215473271098,"sku":"17366","price":895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17366blu.jpg?v=1774558683"},{"product_id":"jain-bronze-buddha-tirthankara","title":"Jain Bronze Buddha Tirthankara","description":"\u003cp\u003eWestern India, probably Gujarat or Rajasthan, circa 15th to17th century AD.\u003c\/p\u003e\n\u003cp\u003eBronze Jain altar shrine depicting a seated nude Jina (Tirthankara) in padmasana under a tiered parasol within an elaborate openwork backplate (torana).\u003c\/p\u003e\n\u003cp\u003eThe central figure is framed by standing attendant figures and further miniature Jinas and donors arranged in architectural registers, all above a lion‑throne–like seat with low front balustrade and arched gateway.\u003c\/p\u003e\n\u003cp\u003eCast by the lost‑wax process in a copper‑alloy bronze with warm brown patina and areas of green encrustation, the image retains inset dark cabochons and a reddish stone at the chest, with a long \u003cspan\u003ededicatory inscription on the back in Devanagari or related western Indian scripts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOpenwork plinth, vaulted niche, and drilled halo give the piece strong depth and shadow when lit, while ritual wear, minor oxidation, and small casting irregularities are consistent with age and devotional handling; no visible modern breaks or repairs.\u003c\/p\u003e\n\u003cp\u003eSize 5-1\/4 in. (13.3 cm) Height.   \u003cbr\u003eEx NY Architect  Alfred De Vido Collection.  \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53249433436474,"sku":"17451","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17451bl.jpg?v=1774996468"},{"product_id":"indian-sandstone-stele-of-vishnu","title":"Indian Sandstone Stele of Vishnu","description":"\u003cp\u003eNorth India, ca. 10th–12th century AD\u003c\/p\u003e\n\u003cp\u003eA finely carved sandstone stele depicting the Hindu god Vishnu standing in rigid frontal posture  wearing a tall tiered crown, elaborate beaded necklaces, a broad jeweled girdle, and a finely incised dhoti. His principal attributes include the mace held in one raised hand, with the remaining hands originally holding the chakra, shankha, and padma,  the canonical four attributes of Vishnu. Behind the head is a pierced circular flaming halo framing the serene, meditative visage.\u003c\/p\u003e\n\u003cp\u003eVishnu is flanked by two carved pilasters with subsidiary deities and attendant figures in tiered registers, including a standing attendant above and devotee\/donor figures at the base on each side, all rendered in the deeply undercut, richly ornamented idiom characteristic of medieval North Indian temple sculpture.\u003c\/p\u003e\n\u003cp\u003eDimensions 19.5 in. H (figure only); 25 in. H overall on custom wood base.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Ex Rhinebeck NY Estate. \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53373426630970,"sku":"17507","price":8500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17507BL.jpg?v=1777312710"},{"product_id":"chinese-ming-dynasty-bronze-seated-buddha","title":"Chinese Ming Dynasty Bronze Seated Buddha","description":"\u003cp\u003eLate Ming dynasty, 16th to 17th century AD\u003c\/p\u003e\n\u003cp\u003eA crowned and bejeweled Guanyin bodhisattva seated in dhyanasana with the right hand raised in vitarka mudra (teaching gesture) and the left resting in the lap. The elaborate openwork tiara containing a small seated Amitabha Buddha, the pendulous earlobes with floral earrings, beaded necklace with central jeweled clasp, and softly cast robes with incised scrollwork are all hallmarks of  Chinese bronze casting. \u003c\/p\u003e\n\u003cp\u003eThe serene, slightly smiling face with downcast eyes, broad forehead, and gilt facial highlights is consistent with late Ming Buddhist sculpture, where only traces of the original gilding typically survive on the face and recessed areas. The high foliate crown with a central niche enclosing a small Amitabha identifies the figure as Guanyin, the Bodhisattva of Compassion. The hollow-cast construction shows a rough, unfinished interior with a flanged rim and heavy oxidation\/malachite-green patination.\u003c\/p\u003e\n\u003cp\u003eSize 8-1\/4 inches Height. \u003cbr\u003e\u003cbr\u003eProvenance: Private Rhinebeck Collection of a Real Estate Developer.\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53377230963002,"sku":"17506","price":1495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17506bl.jpg?v=1777408308"},{"product_id":"large-indian-shrinathji-pichwai-painting","title":"Large Colorful Indian Shrinathji Pichwai Painting","description":"\u003cp\u003eThis painted-cloth hanging is a Pichwai (pichhwai) of Shrinathji, a devotional backdrop made for the Pushtimarg sect founded by Vallabhacharya, centered on the Shrinathji temple at Nathdwara, Rajasthan. The iconography, format, and border program point to a late 19th- to early 20th-century Nathdwara workshop example, likely depicting a Gau-Charan or Annakut\/Gopashtami darshan.\u003c\/p\u003e\n\u003cp\u003eShrinathji stands under the haveli canopy, rendered in the characteristic blue black complexion of the seven-year-old Krishna, left arm raised to lift Mount Govardhan, right hand at the waist.  He is flanked by four smaller swaroops of Krishna, likely Navanitapriyaji, Mathuradhishji, Dwarkadhishji, and Vitthalnathji  members of the Nav Nidhi Swaroop group worshiped across Pushtimarg havelis.   Two mukhiyas (temple priests \/ tilkayat figures) in white jama robes perform seva — the left offering a thal of prasad, the right holding a chamar (fly whisk), a standard Pushtimarg ritual convention.\u003c\/p\u003e\n\u003cp\u003eBelow the deity sits a small Shri Yantra \/ Govardhan shila flanked by diminutive Krishna forms, with lotus offerings and a stepped singhasan pedestal. The golden pyramidal roof with flag (dhwaja) and kalash finial represents the Nathdwara haveli sanctum.\u003c\/p\u003e\n\u003cp\u003eSide and top panels: grid of seated gopis, goswamis, and devotees in ecstatic devotion — closely related to the \"24 Swaroop Darshan\" and Chaurasi-Vaishnav format celebrating the bhaktas of the sect.\u003c\/p\u003e\n\u003cp\u003eInner red border: a frieze of white sheep\/lambs (or cows) in procession — a nod to the Gau-Charan (cow-grazing) leela and the pastoral Braj setting essential to Shrinathji worship.\u003c\/p\u003e\n\u003cp\u003eThe top center cartouche has a small black svarupa of Krishna on a lotus leaf (Bala Krishna \/ Vatapatrashayi motif).\u003cbr\u003e \u003cbr\u003eSize:  36 in (91.4cm) H. x 45 in (114cm) W.  in frame.  Losses to pigment.\u003c\/p\u003e\n\u003cp\u003eProvenance: Ex David E private collection Long Island NY. \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53389234536762,"sku":"16805","price":1650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/16805bl.jpg?v=1777583346"},{"product_id":"sea-bronze-flame-finial-symbol-of-enlightenment","title":"SEA Bronze Flame Finial Symbol of Enlightenment","description":"\u003cp\u003eSouth East Asia ca. 17th to 18th Century AD.\u003c\/p\u003e\n\u003cp\u003eA cast bronze flame finial from Thailand or mainland Southeast Asia, rendered as stylized tongues of fire rising from a tulip-form lotus cup with a central teardrop bud, terminating in an integral iron tang for mounting. Such finials typically crowned ceremonial staffs, palanquin fittings, temple furniture, or reliquary elements in Buddhist contexts.  The flame (Thai: plaeo) is among the most powerful symbols in Southeast Asian Buddhist art. The motif appears atop Buddha images (the ushnisha flame), stupa finials, and votive objects throughout Thailand, Cambodia, Laos, and Myanmar. \u003c\/p\u003e\n\u003cp\u003eSize: 4-1\/4 inches H. (plus custom mount)\u003c\/p\u003e\n\u003cp\u003eCondition: Excellent; stable surface with attractive cuprite and malachite encrustations; original tang intact.\u003c\/p\u003e\n\u003cp\u003eFlame finials of this scale and quality are uncommon on the market. The crisp modeling of the petals and the preserved bud at the center make this a particularly desirable study piece for collectors of Buddhist and Asian devotional bronzes.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53404619440442,"sku":"16502","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/16502bf.jpg?v=1777836098"},{"product_id":"ancient-gandharan-grey-schist-head-of-buddha","title":"Ancient Gandharan Grey Schist Head of Buddha","description":"\u003cp\u003e Kushan Period, 2nd to 4th Century CE\u003c\/p\u003e\n\u003cp\u003eA superb ancient Gandharan grey schist head of the Buddha, sensitively modeled in the classic Graeco-Buddhist style that flourished in the Kushan Empire across present-day Pakistan and eastern Afghanistan between the 2nd and 4th centuries CE. The full, voluminous face is carved with finely incised almond-shaped eyes, a straight classical nose, and a sensitive, softly smiling mouth; all hallmarks of the Hellenistic influence that defined Gandharan workshops of the period.\u003c\/p\u003e\n\u003cp\u003eAbove the serene visage rises an elaborate coiffure of rhythmic wavy locks drawn upward and gathered into the ushnisha (the cranial protuberance symbolizing transcendent wisdom),  a defining iconographic feature pioneered by Gandharan sculptors and adopted throughout later Buddhist art. Elongated earlobes reference the Buddha's princely past as Siddhartha Gautama.\u003c\/p\u003e\n\u003cp\u003e+Dimensions: 6¾ inches high (17.1 cm);  + custom blackened metal display mount\u003cbr\u003eCondition: Sheared at the neck with the back of the head missing; surface abrasions consistent with age and burial. Displays excellent signs of authenticity and quality, with strong sculptural presence and fine facial modeling intact.\u003c\/p\u003e\n\u003cp\u003eProvenance:  Ex collection of Will Barnet (1911–2012), the acclaimed American modernist painter and printmaker represented in the Metropolitan Museum of Art, MoMA, and the Whitney Museum of American Art. A longtime resident of the National Arts Club in New York, Barnet died in New York City on November 13, 2012, at the age of 101.\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53419959812410,"sku":"5396","price":2750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/5396blu.jpg?v=1778192930"},{"product_id":"indian-bronze-shrine-depicting-crowned-hindu-deity","title":"Indian Bronze Shrine depicting crowned Hindu Deity","description":"\u003cp\u003emost probably Vishnu,  Circa late 18th to 19th century (c. 1780–1880)\u003c\/p\u003e\n\u003cp\u003eA charming cast brass\/bronze household shrine depicting a two-armed crowned Hindu deity, most probably Vishnu, Venugopala, or a folk Vishnu-Durga (Narayani), standing in a hieratic frontal pose on a stepped square pitha, with a small subsidiary figure (a consort, devotee, or child attendant) nestled at the deity's left side. The icon is backed by a separately cast arched prabhavali (backplate) surmounted by a stylized kirtimukha finial, which lifts cleanly off the base as originally intended for ritual bathing and seasonal worship.\u003c\/p\u003e\n\u003cp\u003eThe deity wears a tall conical kirita-mukuta, simple beaded ornaments, and a short dhoti; facial features are rendered in the bold, abstracted manner typical of Deccan\/Karnataka village bronzes, with an elongated nose, incised brow, and almond eyes.\u003c\/p\u003e\n\u003cp\u003eDimensions  5 3\/4\" H x 4 3\/4\" W\u003c\/p\u003e\n\u003cp\u003eCondition: Excellent antique condition with expected wear from ritual use; prabhavali detaches cleanly from the base as originally intended; rich untouched patina. \u003cspan style=\"font-size: 0.875rem;\"\u003eThe surface retains a warm golden patina with reddish cuprite bloom, pitted reverse casting, and traces of sindoor and ghee in the crevices — all consistent with long devotional use on a family altar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Antique Dealer from Khajurah, India, 2004 acquired by Dr. Henry Cherrick, a professor and dean at UCLA School of dentistry who pioneered government programs promoting dental care in HIV\/AIDs patients. He was an avid collector of fine art and antiquities and died at the age of 84 in 2023.\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53433338429754,"sku":"16043","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/16043bl_17d80a02-0ebf-4c42-b705-4dc9baa3123a.jpg?v=1778441747"},{"product_id":"ordos-xiongnu-culture-gilt-bronze-buckle","title":"Ordos Xiongnu Culture Gilt Bronze Buckle","description":"\u003cp\u003e North China or Inner Mongolia  3rd – 1st century BCE\u003c\/p\u003e\n\u003cp\u003eCast by lost-wax method; open rectangular frame with integral suspension loop to one short end. Obverse decorated with an anthropomorph feline or predatory animal in profile  in high relief, eyes and mouth deeply modeled, with radiating branching gold inlay in incised channels. Intact. One of the finest small-format examples of Xiongnu gilt bronze craftsmanship, combining the rare mask motif with the characteristic gold channel-inlay technique reserved for high-status belt ornaments.  The buckle has the characteristic \"B-shaped\" or rectangular open-frame form with a projecting suspension loop on one short end — the standard fastening system used by Xiongnu belt plaques, where a cord was threaded through the loop to tie the belt. The underside shows a recessed open rectangular void typical of steppe buckles that were cast by the lost-wax method and designed to sit flat against a leather belt. At only 1-1\/2 in. L x 7\/8 in. H (including loop), this is a notably small, compact example,  suggesting it may be a personal ornament, a child's belt fitting, or a harness plaque rather than a primary belt buckle.\u003cbr\u003eThe most remarkable feature is the frontal anthropomorphic face rendered on the upper surface — large round eyes with incised lids, a broad nose, and an open grimacing or roaring mouth with teeth indicated. This is overlaid with elaborate gold inlay tracery in branching, tree-like or antler-like patterns radiating outward from the face.   The Hermitage collections from Buryatia include a \"gilded mask-shaped buckle with turquoise inlays\" from a Xiongnu royal burial at Tsaraam cemetery. The gold inlay lines on this piece, rendered as incised channels filled with gold amalgam, are consistent with the highest-quality Xiongnu metalwork technique described at the Miho Museum: \"very fine inlay channels were chisel cut into the surface and inlaid with gold\" — a labor-intensive process reserved for luxury objects. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53532930965818,"sku":"17606","price":435.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17606bl.jpg?v=1779998739"},{"product_id":"philippine-taka-papier-mache-skull-mold-1","title":"Philippine Taka Papier-Mâché Skull Mold","description":"\u003cp\u003eCirca 1920s,  Hand-carved hardwood skull mold (takaan) from Paete, Laguna, Philippines, used in the traditional taka papier-mâché craft.  A rare and sculpturally striking hand-carved hardwood skull mold (takaan) from the village of Paete, Laguna, Philippines, used in the traditional folk craft of taka* — the layering of wet paper pulp over a carved wooden master to produce brightly painted papier-mâché figures, toys, and ornaments. The taka tradition was founded in Paete in the 1920s by Maria Bañas (Bague) and remains a living craft today, though early studio molds like this example are increasingly scarce on the international market.  Dimensions Skull: 8 inches H; taller on custom iron base:  Provenance: Daniel Acosta NY, NY.\u003c\/p\u003e\n\u003cp\u003eThe skull is carved in the round on its working face, with a smoothly domed cranium, deeply hollowed circular eye sockets, a triangular nasal cavity, and crisply gridded upper and lower dentition designed for clean release from the papier-mâché shell. The reverse is left plain and gently contoured, pierced by a small bored vent hole that allowed moisture to escape and the finished pulp form to be released from the master. The wood has acquired a deep, oily, glossy patina from decades of contact with wet paper pulp, starch paste, and release agents — a surface impossible to fabricate and entirely consistent with long studio use.\u003c\/p\u003e\n\u003cp\u003eAttributed to the workshops of Paete, Laguna — the historic center of Philippine woodcarving and the birthplace of the taka papier-mâché industry in the 1920s. Comparable hand-carved Filipino skull molds appear in the secondary decorative-arts market, confirming that calavera-form takaan were part of the Paete carvers' repertoire.\u003c\/p\u003e\n\u003cp\u003eExcellent  condition with expected age. Deep handled patina, minor surface checking, age cracks to the cranium, and small natural losses consistent with age and ritual studio use. Mounted on a custom black metal display stand for stable upright presentation.\u003cbr\u003e\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53596878242106,"sku":"17604","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17604z.jpg?v=1781288651"},{"product_id":"han-dynasty-chinese-pottery-head-of-a-man","title":"Han Dynasty Chinese Pottery Head of a Man","description":"\u003cp\u003eCirca 206 BC – AD 220\u003c\/p\u003e\n\u003cp\u003eA finely modeled earthenware head of a man from a Chinese tomb figure (mingqi), created as a burial good for a high-status individual during the Han Dynasty. The face is sensitively rendered with a rounded cranium, a strong straight nose, defined ears, and softly modeled lips. The surface has weathered to the bare ceramic, with earthy burial encrustation and the warm grey-buff tone characteristic of ancient interred pottery — a quiet, sculptural presence that reads beautifully on a shelf, desk, or in a cabinet of antiquities.\u003c\/p\u003e\n\u003cp\u003eDuring the Han Dynasty, hundreds of pottery figures were placed in elite tombs to recreate the world of the deceased, spawning a vast workshop industry across China. Modeled human heads such as this survive as evocative fragments of that funerary tradition.\u003c\/p\u003e\n\u003cp\u003eDimensions: 4¼ in. (10.8 cm) high; 6 in. (15.2 cm) high on later wood block base\u003c\/p\u003e\n\u003cp\u003eCondition: Head fragment as shown; surface erosion and burial deposits consistent with age; mounted on a nice cherry color custom wood base.\u003c\/p\u003e\n\u003cp\u003eThe head retains a rich layer of old collection history, including an inked accession number \"70.218\" on both the head and its base, paper inventory labels numbered \"359\" and \"101,\" a painted \"CHINA\" notation, and a red Chinese seal\/dealer label to the underside — the kind of accumulated markings consistent with a long-held early collection. Acquired from the estate of a US Doctor. \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53632692158778,"sku":"17662","price":795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17662z.jpg?v=1781981909"},{"product_id":"beautiful-indian-sandstone-head-of-a-jina-tirthankara","title":"Beautiful Indian Sandstone Head of a Jina Tirthankara","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eWestern India (Rajasthan\/Gujarat region),  Circa 12th–15th Century \u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA finely carved sandstone head of a Jina, the enlightened liberator (Tirthankara) of the Jain faith, sculpted in the devotional tradition of Western India. The serene, fleshy face is modeled with downcast meditative eyes beneath gently arched brows, a broad nose, and full lips drawn into the faint, inward smile that conveys the \u003cem\u003ekevala-jnana\u003c\/em\u003e — the state of pure omniscient knowing and liberation from worldly delusion. The hair is rendered in tight rows of snail-shell curls, and the elongated, pendulous earlobes recall the princely life renounced upon the path to enlightenment.  \u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe absence of a Buddhist-style \u003cem\u003eushnisha\u003c\/em\u003e cranial protuberance, together with the meditative frontality and idealized smooth planes of the face, identifies this head as a Jina rather than a Buddha. Such heads originally belonged to standing or seated cult images installed in Jain temples across Rajasthan and Gujarat, where Tirthankara worship flourished from the medieval period onward.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e\u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003eDimensions  5½ in. (14 cm) high; 9 inches on custom base\u003c\/p\u003e\n\u003cp\u003eCondition: Expected ancient losses and weathering; broken at the neck as typical for temple heads; stable and well-preserved facial features\u003c\/p\u003e\n\u003cp\u003eProvennce: \u003cspan\u003e acquired from a New England estate\u003c\/span\u003e.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53649101848890,"sku":"17665","price":4750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17665z.jpg?v=1782412396"},{"product_id":"central-indian-sandstone-torso-of-a-celestial-beauty","title":"Central Indian Sandstone Torso of a Celestial Beauty","description":"\u003cp\u003eChandella Period, Madhya Pradesh or Rajasthan, circa 10th–11th century AD\u003c\/p\u003e\n\u003cp\u003eCarved from a warm reddish sandstone as the upper body of an apsara or surasundari, her serene downcast face framed by neatly waved and beaded hair, her neck wrapped in multiple strands of a beaded necklace that continues in a long pendant cord down the torso, one hand raised to cup her breast in the sensuous gesture typical of Central Indian temple sculpture of the period, and a large circular jeweled ear ornament visible on the reverse profile. The figure's swelling, high-set breasts, gently twisted torso, and softly modeled flesh reflect the idealized canon of feminine beauty developed at temple sites such as Khajuraho, where comparable apsara figures were set into pillar brackets and wall niches as part of extensive sculptural programs, a type well represented by the Rijksmuseum's \"Heavenly Beauty\" from the Lakshmana Temple. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSize 8-3\/4 in. (22.2 cm) height, excluding base.\u003c\/p\u003e\n\u003cp\u003eCompares closely in scale and treatment with the Christie's \"Sandstone Torso of a Celestial Woman,\" India, Uttar or Madhya Pradesh, circa 11th century (11 in.) sold for 10k+, as well as with the related \"Sandstone Torso of a Female Deity,\" Central India, 10th\/11th century, sold at Sotheby's New York in 2015 (lot 1083) sold for 50k!\u003c\/p\u003e\n\u003cp\u003eProvenance Don Buhman, San Francisco, CA. \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53902834499898,"sku":"17806","price":5500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17806.jpg?v=1786595783"},{"product_id":"group-of-10-burmese-cast-bronze-graduated-animal-opium-weights","title":"Group of 10 Burmese Cast Bronze Graduated Animal\/Opium Weights","description":"\u003cp\u003eBurma (Myanmar), Shan\/Mon States, 19th to early 20th Century Konbaung Period \/ British Colonial Era\u003c\/p\u003e\n\u003cp\u003ePrimarily avian figures featuring the sacred Hintha \/ Hamsa (Brahminy goose\/duck) on stepped and rounded bases, along with a stylized To-Naya \/ Chinthe (mythical horned lion\/leopard beast) on a stepped plinth.  Standardized Units (Kyat \/ Tical): Commonly referred to in the West as \"opium weights,\" these zoomorphic bronzes were standardized graduated  trade and marketplace weights used for weighing bulk silver bullion, gems, raw metals, medicines, and valuable trade goods across Southeast Asia.\u003cbr\u003eHintha (Hamsa): The sacred aquatic bird associated with purity, elegance, and the founding mythology of the Mon and Burmese kingdoms.  To-Naya \/ Chinthe: A mythical celestial lion\/dragon beast symbolizing strength, royal authority, and protection.\u003cbr\u003eSize 2 in H. tallest\u003cbr\u003eEx NY Architect  Alfred De Vido Collection.  \u003cbr\u003e \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53932515000634,"sku":"17825","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17825_cc8beaaf-2931-40e2-a2f5-63afd035515b.jpg?v=1787249957"},{"product_id":"thai-polychrome-carved-wood-architectural-finial-eaves-bracket","title":"Thai Polychrome Carved Wood Architectural Finial \/ Eaves Bracket","description":"(Chofa \/ Naga Tail)  Northern Thailand (Lanna); Late 19th to early 20th Century\u003cbr\u003eHand-carved indigenous hardwood with original layered red, green, and cream polychrome pigments and naturally weathered surface.  Deeply pierced, dynamic volute carving depicting a serpentine mythical serpent\/dragon crest (naga \/ chofa) or stylized celestial plumage (kanok motif). Features interlocking flame-like (lai kranok) leaves, swirling volutes, a central lotus bud rosette, and a dynamic recurved finial tip, terminating in an angled tenon\/socket block meant for mortise-and-tenon structural architectural fitting. Originally functioned as an expressive roof ridge finial, eave strut bracket, or decorative gable ornament on a traditional wooden temple (wat), pavilion (sala), or palatial compound.\u003cbr\u003e\u003cbr\u003eDimensions: 10-1\/2 in L. 16 in H. on base.\u003cbr\u003e\u003cbr\u003eEx NY Architect  Alfred De Vido Collection.  \u003cbr\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53932984140090,"sku":"17827","price":795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17827.jpg?v=1787263832"},{"product_id":"indian-marble-statue-of-dattatreya-trimurti","title":"Indian Marble Statue of Dattatreya Trimurti","description":"\u003cp\u003eSouth India, 19th century AD\u003c\/p\u003e\n\u003cp\u003eCarved in the round from a fine-grained white marble whose warm ochre encrustation across the base and lower folds attests to long ritual handling in a domestic or temple shrine. The god is shown in his composite Trimurti form, the union of Brahma, Vishnu, and Shiva as the ascetic guru Dattatreya, standing frontally with three crowned heads rising from a single neck and torso, hair dressed in the piled jata of a yogi, a beaded necklace resting against the chest, and a dhoti incised with fine parallel drapery folds gathered at the waist; his proper right hand rests lightly on the shoulder of Kamadhenu, the wish-granting cow, carved standing behind and beside him with her head turned outward, while a small calf crouches at her feet, together evoking the Vedic abundance and maternal earth-symbolism central to the deity's iconography. The carving sits on a low rectangular plinth, its surface worn smooth at the edges and pitted with small natural marble inclusions and iron-oxide staining consistent with age and handling rather than damage; the heads and facial features remain crisp and legible, with only minor abrasion to the crown tips and a stable hairline chip at one corner of the base, honest condition for a devotional image of this age. \u003cbr\u003eThe three-headed Datta flanked by Kamadhenu and calf closely parallels devotional stone and metal sculptures of the deity in the Victoria and Albert Museum's Indian sculpture holdings, which preserve numerous 18th- and 19th-century South Asian devotional carvings of comparable domestic scale and material treatment.   Size   inches H. \u003cbr\u003eProvenance: Collection of Mr. and Mrs. James Barker, Sata fe NM\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53967936422202,"sku":"17818","price":2995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17818aa.jpg?v=1787843379"},{"product_id":"lao-lan-xang-gilt-wood-standing-buddha","title":"Lao Lan Xang Gilt Wood Standing Buddha","description":"\u003cp\u003eLaos, Lan Xang\/Luang Prabang tradition, circa 1800–1900\u003c\/p\u003e\n\u003cp\u003eA gilt wood standing Buddha, carved in the Lan Xang tradition and posed in the distinctive Gandharattha, or \"Calling for Rain,\" mudra unique to Laos, with both arms held straight at the sides and the long, tapering fingers pointing downward toward the earth. The figure is modeled with the elongated proportions, softly rounded shoulders, and serene, downcast expression characteristic of Lao Buddhist sculpture, the face framed by pendulous pierced earlobes and surmounted by a beaded ushnisha rising to a tall, flame-shaped finial. The monastic robe is indicated in shallow relief with a fishtail hem falling in a stepped point at the ankles, and the whole is finished in gilt over a red-brown lacquer ground, with the expected wear and loss to the gilding revealing the underlying lacquer and wood at the shoulders, drapery folds, and extremities — consistent with age, devotional handling, and old surface. The figure stands on its own integral rectangular plinth, further raised on a later black-painted wood display base.\u003c\/p\u003e\n\u003cp\u003eMeasuring 25 in. H on its base (63.5 cm).\u003c\/p\u003e\n\u003cp\u003eThis figure belongs to the same regional tradition of tall, attenuated Lao standing images represented by a related 19th-century Thai\/Lao standing gilt figure in the Doris Duke Southeast Asian Art Collection at the Walters Art Museum (Object 54.3000), and compares in posture and gilt-lacquer technique to Lao \"Calling for Rain\" figures published and sold through specialist Southeast Asian dealers such as Vanishing Arts Gallery and Galerie Tjitra.\u003cbr\u003eProvenance: Collection of Mr. and Mrs. James Barker, Sata fe NM\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53967978758458,"sku":"17819","price":3450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17819.jpg?v=1787845021"},{"product_id":"chinese-archaistic-votive-stele-of-guanyin-bodhisattva","title":"Chinese Archaistic Votive Stele of Guanyin \/ Bodhisattva","description":"Late Qing Dynasty to early Republic Period (ca. late 19th to early 20th Century), in the Northern Wei \/ Tang archaistic taste.\u003cbr\u003e\u003cbr\u003eMolded and carved dark earthenware \/ pottery with dark lacquer\/pigment finish, earthen encrustation, and remnant gilt\/poly-chrome traces. Inscriptions: Retains an old collector’s\/dealer’s ink paper label on the reverse inscribed “宋時代觀音...” (identifying the subject as a Song Dynasty style Guanyin). Formed as an arched, pointed mandorla (leaf-shaped stele) set upon a stepped, molded rectangular plinth.  High-relief standing figure of Guanyin (Avalokiteshvara) depicted with hands clasped in front holding an attribute beneath long, flowing robes cinched with a high sash across the chest. The serene head is surmounted by a high topknot (ushnisha), framed by an enveloping aureole deeply incised with dense scrolling cloud and flame patterns (huoyanwen).\u003cbr\u003e\u003cbr\u003eDimensions: 12 ¼ inches (31.1 cm) Height\u003cbr\u003e\u003cbr\u003eEx NY Architect  Alfred De Vido Collection.  \u003cbr\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53968426893626,"sku":"17826","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17826.jpg?v=1787866083"},{"product_id":"south-indian-bronze-lamp-finial-in-the-form-of-a-caparisoned-nandi-bull","title":"South Indian Bronze Lamp Finial in the Form of a Caparisoned Nandi Bull","description":"\u003cp\u003eVijayanagara to post-Vijayanagara Period, ca. 16th–18th century AD.\u003c\/p\u003e\n\u003cp\u003eCast in the round as the seated humped bull Nandi, sacred vahana of Shiva, richly caparisoned with an incised necklace of bells and roundels, a saddle cloth with tasseled borders across the haunches, and a fringed pendant hanging from the collar, the bull's ears alert and muzzle raised in the placid, faintly smiling expression typical of South Indian temple bronzes; the figure surmounts a tall baluster-form stem articulated with a sequence of ring-turned moldings, spreading collars, and inverted lotus-bud swells, identifying the piece as the crowning handle or finial from a ceremonial deepalakshmi-type oil lamp or lamp stand rather than a freestanding votive image. The surface carries a dense, even dark-brown to olive patina with pockets of earthen encrustation and mineral bloom in the recesses of the tooling, wear consistent with generations of ritual handling and old excavation-context burial, and no modern restoration is apparent; the bronze is structurally sound with the casting seams and incised decoration still crisp and legible. \u003cbr\u003eSize:  5-7\/8 in. (14.9 cm) height; 8-1\/4 in. (21 cm) as mounted on its custom wood base.\u003c\/p\u003e\n\u003cp\u003eCf: A bronze in the Smithsonian's National Museum of Asian Art, whose 12th-century Tamil Nadu Nandi (Freer Gallery, F1985.30) shares the same caparisoned, bell-hung treatment of the sacred bull, while related lamp columns and handles surmounted by Nandi and other vahana figures appear among the temple bronzes illustrated in the Ashmolean Museum's Eastern Art collection. \u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":53968455106874,"sku":"17841","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17841.jpg?v=1787867127"},{"product_id":"khmer-bronze-buddha-muchalinda-sheltered-by-the-naga","title":"Khmer Bronze Buddha Muchalinda Sheltered by the Naga","description":"\u003cp\u003eBayon Style, Cambodia, late 12th–13th century AD.\u003c\/p\u003e\n\u003cp\u003eA solid cast in leaded bronze and finished by cold work, depicting the Buddha Shakyamuni seated in dhyana mudra with hands resting in his lap upon the coiled body of the serpent king Muchalinda, whose seven cobra hoods rise as a protective canopy behind the head; the Buddha wears the tiered conical diadem and jeweled sampot of the Angkorian crowned Buddha type, a beaded pectoral collar, and an incised belt, and sits atop the three tightly wound naga coils that form the throne, the reverse showing the finely modeled scale pattern of the serpent's body rising to the pierced hood. The composition follows the canonical scene in which, six weeks after the Enlightenment, the naga king emerged from the earth to shelter the meditating Buddha from a violent storm — an iconography that became the principal Buddhist cult image of the Bayon period under Jayavarman VII. Measuring  4-3\/8 in. H. + custom stand\u003c\/p\u003e\n\u003cp\u003eThe bronze has developed a warm, stable cuprous green-grey patina with scattered malachite accretion, minor surface pitting and old losses consistent with age and burial, small areas of wear to the highpoints of the crown and face, and no meaningful modern restoration; it is mounted on a fitted rectangular black wood display base. Very close comparanda are held in the Metropolitan Museum of Art, New York (Buddha Sheltered by a Naga, Cambodia, Angkor period, 12th century, bronze, acc. 1990.230, H. 6 1\/2 in.), the Musée national du Cambodge, Phnom Penh, the Musée Guimet, Paris, and the Angkor National Museum, Siem Reap, with the type surveyed at length in Peter Sharrock's \"Serpents and Buddhas\" and in the recent Guimet exhibition \"Angkor Royal Bronzes: Art of the Divine\" (2025). Ex NY Architect  Alfred De Vido Collection.  \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":54036401062202,"sku":"17896","price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/17896.jpg?v=1788993159"},{"product_id":"burmese-shan-gilt-lacquered-wood-crowned-buddha","title":"Burmese Shan Gilt Lacquered Wood Crowned Buddha","description":"Shan States, Eastern Burma (Myanmar), 18th Century CE\u003cbr\u003e\u003cbr\u003eHand-carved from solid hardwood, primed with traditional black thitsi tree lacquer, and lavishly gilded with gold leaf. Seated in virasana upon an integral, rounded waist-high plinth, the Buddha displays the bhumisparsha mudra (earth-touching gesture), his right hand reaching downward across the knee to call the earth goddess Phra Mae Thorani to witness his enlightenment, while his left hand rests palm-up in his lap. The figure is richly outfitted in royal regalia, featuring flared winged shoulder epaulets, heavy wristlet cuffs, and a wide beaded necklace centered by a pendant drop. The rear drapery of the monastic mantle is carved with a bold geometric lattice trellis pattern. The head is distinguished by an arched tiara crown rising to a tapering flame finial, elongated pierced earlobes that frame the neck, an inset urna, a prominent aquiline nose, and softly smiling lips that impart an aura of serene transcendence.   \u003cbr\u003e\u003cbr\u003eIn Theravada Buddhist practice within the Shan States and Upper Burma, sculptures of this intimate scale functioned primarily as domestic or monastic shrine devotional images (buddharupa) and sacred merit-making offerings (dana). Known iconographically as Jambupati Buddha—the Buddha crowned and adorned as a universal monarch (Chakravartin) to humble the pride of the arrogant King Jambupati—these figures served as focal objects for daily prayer, meditation, and ritual offerings of incense, water, and flowers. The commissioning of such gilded images by wealthy patrons, village elders, or monastic donors conferred spiritual merit for the patron's lineage and ensured auspicious rebirth, while smaller consecrated sculptures were also placed in monastery relic niches or temple treasure chambers. \u003cbr\u003e\u003cbr\u003eThe sculpture measures 5-5\/8 inches in height by approximately 3 inches in width and 1-3\/4 inches in depth (14.3 cm x 7.6 cm x 4.4 cm). Surface preservation is remarkable and entirely undisturbed, exhibiting natural softening and authentic age craquelure across the lacquer substrate, where exposed black thitsi undercoat peeks through the worn high points of the face, hands, knees, and base to create rich two-tone contrast.\u003cbr\u003e\u003cbr\u003eProvenance: Collection of Mr. and Mrs. James Barker, Sata fe NM","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":67612819128634,"sku":"17811","price":795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/100696.jpg?v=1790868273"},{"product_id":"burmese-bronze-seated-buddha-shan-states-myanmar","title":"Burmese Bronze Seated Buddha, Shan States, Myanmar","description":"ca. 18th to 19th Century AD\u003cbr\u003e\u003cbr\u003eBuddha seated in virasana with the right hand lowered in bhumisparsha mudra (touching the earth to witness his enlightenment), left hand in the lap. Tight curls rising to a tall ushnisha with bud finial; elongated earlobes; incised brows and eyes. The robe leaves the right shoulder bare, its edges incised. Stepped, waisted base. Traces of red lacquer and gilding. Images of this size were donated to temples and household shrines to gain merit.\u003cbr\u003e\u003cbr\u003eSize: 5.5 inches (14 cm) H. x 3.5 inches (8.9 cm) W. x 2 inches (5.1 cm) D.","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":67613483172154,"sku":"18012","price":395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/100731.jpg?v=1790888090"},{"product_id":"gandharan-grey-schist-head-of-a-bodhisattva","title":"Gandharan Grey Schist Head of a Bodhisattva","description":"Ancient region of Gandhara (modern-day northwest Pakistan or eastern Afghanistan), Kushan Empire, circa 2nd to 3rd century CE.\u003cbr\u003e\u003cbr\u003eCarved in high relief from fine-grained grey schist, this fragment portrays the head of a Bodhisattva (likely Maitreya or Avalokiteshvara), embodying the classic synthesis of Hellenistic naturalism and Indian spiritual iconography. The visage is sensitively carved with heavy-lidded, meditative downcast eyes, softly contoured cheeks, a drilled urna centered between sweeping arched brows, and a finely delineated, curling mustache resting above full lips. The elaborate coiffure features a beaded or pearled diadem securing wavy tresses, with dramatic, deeply incised locks sweeping upward and cascading over the proper left shoulder. Unlike the unadorned monk's ascetic appearance of the historic Buddha, Bodhisattvas in Gandharan art are depicted as worldly royalty adorned in aristocratic attire, jewelry, and ornate hair arrangements prior to achieving ultimate enlightenment.\u003cbr\u003e\u003cbr\u003eSize 5-1\/8 in H.; 8 inches on custom mount.\u003cbr\u003eFragmentary as shown, retaining the complete facial plane, diadem, and upper left coiffure, with ancient losses to the proper right locks, ears, and neck. The stone displays rich ancient patina, sharp carving details, and earthen burial encrustations settled into the crevices of the hair, eyelids, and relief outlines. Provenance: Collection of Anna Weatherley, Washington DC","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":67645991125306,"sku":"17938","price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/100813.jpg?v=1791395406"},{"product_id":"pair-of-chinese-famille-rose-porcelain-baluster-vases","title":" Pair of Chinese Famille Rose Porcelain Baluster Vases","description":"Late Qing Dynasty to Republic Period (late 19th to early 20th century), each measuring 18 inches high. Each vase is potted with an ovoid body rising to a waisted neck and flared, molded rim, flanked by paired emerald-green Buddhist lion handles at the neck and applied molded chilong clambering across the shoulders. The exterior is enameled in vibrant overglaze polychrome with the auspicious motif of Qilin Songzi (“The Qilin Delivering a Son”), centered on an aristocratic woman and child mounted atop a striding mythical qilin (kylin). The procession is surrounded by joyful attendant boys bearing processional banners, fans, and ceremonial parasols beneath blooming trees, with the neck depicting additional scholar and figure tableaux. The compositions are framed against a bright white ground accented with scattered floral sprigs, embodying traditional wishes for fertility, high official rank, and familial prosperity.  Size 18 in H. ea. ","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":67692858704186,"sku":"18085","price":795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/100925.jpg?v=1791932301"},{"product_id":"chinese-painted-pottery-guardian-figure","title":"Chinese Painted Pottery Guardian Figure","description":"Northern Wei to Sui Dynasty, ca. 5th–6th Century AD\u003cbr\u003e\u003cbr\u003ePottery tomb figure of a standing guardian in armor. He wears a peaked helmet framing a scowling face with heavy brows, round eyes and a broad nose, and a cape over armored shoulders. Both hands are clasped at the chest around the hilt of a sword or staff held upright. Belted tunic over a long skirt flaring at the feet. Traces of white slip and red pigment over orange-buff clay; surface worn, with earthen deposits.\u003cbr\u003e\u003cbr\u003eSize: 12.5 inches (31.8 cm) H. x 4 inches (10.2 cm) W. x 3.5 inches (8.9 cm) D. + black wood base.\u003cbr\u003e\u003cbr\u003eEx New York estate collection.","brand":"Art for Eternity","offers":[{"title":"Default Title","offer_id":67718443663674,"sku":"18120","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/files\/101019.jpg?v=1792246616"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0775\/5120\/6714\/collections\/13448a.jpg?v=1776027450","url":"https:\/\/howardnowes.com\/collections\/asian-art.oembed?page=2","provider":"Art for Eternity","version":"1.0","type":"link"}