10769
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Ewe peoples, Togo (Mono River region, Togo–Benin border)
This choice and expressive pair of abstract anthropomorphic shrine vessels stands on flared disc bases, each figure rising as a hollow tubular body with paddle-like hands and feet extended before it, pointed breasts, and a frankly modeled male sex. The faces are boldly rendered with open eyes, flared nostrils, and a mouth pierced in hollowed tubular form, while the hollow heads open at the top to form the vessel mouth, encircled at the flared rim by a band of nodded, knob-like "hair". Made by Ewe potters as ancestor and Vodun altar vessels—objects that received libations and offerings in shrine use—the pair retains a richly varied surface with earthen deposits and traces of pigment attesting to genuine ritual life and age.
A matched surviving pair of this scale is uncommon, and the figures are notably enhanced by their early publication: a closely comparable pair appears in Dmitry Olderogge's The Art of Africa: Negro Art from the Institute of Ethnography, Leningrad, with photographs by Werner Forman (Hamlyn House Press, 1969), p. 141. Provenance: private Pennsylvania collection, acquired about thirty years ago.
Size: 13-3/8 inches (34 cm) & 12-5/8 inches (32 cm) H.
Cf. also comparable pairs in the Nelson-Atkins Museum of Art, Kansas City, and the Dallas Museum of Art for related African anthropomorphic terracotta vessels. Rare and expressive
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